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The last tree we stop at is stunningly beautiful, a Red Delicious, filled with fruit of the ultimate color sought by Washington orchardists, a deep, almost black, red. "Try this," says Fellman. I take a bite. Compared to the apples we've been sampling, it tastes like sweet cardboard. It lacks all the complex and interesting depths of the apples behind us. Once past its glorious exterior, it is one boring piece of fruit. Funded partly by the Washington State Tree Fruit Research Commission, Fellman worries about things like how to store an apple for 10 months without it turning to mush. And how to keep apples tasty, whether fresh out of storage or fresh off the tree. Taste, particularly in apples, is not a simple thing, says Fellman. Tasting an apple happens in stages. Try this, with a Fuji or Braeburn, two of the most flavorful apples currently produced in Washington orchards: Bite into it. The first thing you get is the snap, the mouth feel. Then comes sweetness. Giving the flavor complexity is a varying amount of astringency or acidity. Then there's a salt taste. And finallyaroma. Aroma is what makes an apple memorable. It actually composes much of what we call "taste." It adds depth to the eating experience. It gives the apple character. So what happened to these beautiful Red Delicious (different strains of which make up 60 percent of the Washington apple crop)? What gives apples their aroma is the release of volatile molecules, mostly esters, concentrated in the skin and outer flesh. Because most of the apple's color production also occurs in the skin, Fellman and his colleagues became interested in the biochemical relationship between color and aroma. About 335 different compounds have been identified in the apple. Maybe 15 have a real impact on the apple's character, even at very low levels. The differences in taste among apples is mainly a result of varying mixtures of these compounds. Early studies showed that paler color strains of Red Delicious had higher volatile ester content, the first clue to the color-flavor relationship. Fellman and his colleagues began to work on ways to manipulate color production. Other studies had shown that reduction in sunlight decreased "anthocyanin biosynthesis," or the production of pigment, so they used shading on the tree to control the amount of light and thus reduce color in the fruit. The amount of light reaching the surface of the fruit had a marked effect. In general, less light resulted in less anthocyanin and more ester emission. Stronger sunlight resulted in more anthocyanin and less ester emission, reinforcing the conclusion that the trade-off for high color in these Red Delicious strains is lower flavor and aroma molecule concentrations. So is this part of an anti-gustatory plot, a further attempt to elevate image over sensual pleasure? Well, no, not on the part of the growers. They just try to deliver what the market wants. And studies have shown that consumers want their eating apples redand the redder the better. As a result, says Fellman, the practice has been to "select, select, select" for color. "All of a sudden," he says, "Red Delicious evolved into something nothing like the original. It's a beautiful apple, very sweet, good in storagebut the skin is kind of bitter, and the aromas just aren't there." Now that Fellman knows that color and flavor are related, what next?
If he can determine exactly what controls that relationship, not only would it help in selecting for better strains of apple varieties, but it would help in manipulating storage conditions so the apples will taste better when they come out. Even under "controlled atmosphere" cold storage, apples continue to metabolize. Cell walls break down, esters dissipate. |