Topics for Paper 2
October 31 Proposal for Paper 2 due (50-100 words).
December 2 Paper 2 due (7-8 typed, double-spaced pages);
electronic copy due by 9 p.m. If you are handing in a paper copy, you must
hand it in in class. The paper copy is optional; the electronic copy is mandatory.
Your assignment for Paper 2 is to write an analytical essay with additional
sources on the literature we have read. The texts themselves,
and your skills at explication and interpretation, will still be the focus;
your use of sources should support the points you make in the paper.
Guidelines
1. For this paper, you will
want to use either secondary sources (i.e., literary criticism in the form
of books and journal articles) or additional primary sources--stories,
poems, plays--beyond the ones we've read in class.
2. Remember, Wikipedia and "student help" sites like Sparknotes, eNotes,
pinkmonkey, encyclopedia.com, and the rest are NOT legitimate sources
for this paper. The phrase "secondary sources" means "journals and library
books," along with some legitimate literature web sites. Ask me if you're not
sure whether a site counts as a legitimate source.
3. Web pages are someone's intellectual property and ALL WEB PAGES MUST BE
CITED just as journal articles must be. Copying without attribution is plagiarism,
and you will receive an F for the paper even if your paper is only partly copied
from a source without attribution. See the syllabus for more information on
the consequences of plagiarism.
4. Style
counts as well as substance, so edit and proofread your paper carefully.
5. Bring your paper to me before it is due if you'd like to discuss it.
Requirements
- Proposal. Your proposal (50-100 words) indicating works to be discussed
and a possible thesis should be typed and handed in at the beginning of class
on October 31, 2005. It will receive comments rather than a grade, but if
you do not send a proposal, your paper will lose 5 points (about ½)
grade.
- Paper version and electronic version. In addition to turning in a paper
version, you should e-mail me (campbelld@wsu.edu or drcampbell6676@yahoo.com)
your Word or .rtf file of the document. The paper will not be considered
complete and it will not be graded until the electronic version is received.
Topics
These are broad topics and are only suggestions; you will need to shape and
to limit them. I encourage you to stop in to see me well before the paper
is due. If you want to write on a topic that does not fit under one of these
topics, please let me know.
- Examine one or more of the works in the context in which it originally
appeared, such as Harper’s or The Atlantic. Be sure
to read other works in the same volume and discuss the ways in which the
workyou chose does or does not fit the conventions you see. For example,
what other kinds of stories appeared with The Country of the Pointed
Firs in The Atlantic in 1896?
- If you have special knowledge of some aspect of the culture of this era
(e.g., nineteenth-century painting, sculpture, fabric or decorative arts,
or music; the landscape or vegetation discussed in the work; the architectural
features; etc.), analyze one of the works in terms of this knowledge. You
might find good information at the Library of Congress's American
Memory Home Page, Harpweek, or other
sites (see http://www.wsu.edu/~campbelld/amlit/sites.htm).
- Several of the works we’ve read discuss the experiences of African
Americans, Asian Americans, or Native Americans in nineteenth-century American
culture. In what ways do such writers as Chesnutt, Sui-Sin Far, Zitkala-Sa,
and Johnson reflect on and criticize nineteenth-century American society?
What features such as irony, inverting or reversing conventions and stereotypes,
or complex systems of symbolism do they use to convey their message?
- The literature of this era is sometimes seen as furthering the nation's
imperialist and expansionist aims; according to some writers, it implicitly
promotes an agenda that is racist and anti-immigrant and that seeks to affirm
the aims of white America. Write an essay in which you support or refute
this idea using historical information as well as analysis of the works.
- What images of women are presented in late nineteenth-century American
literature?
- Some of the works we've read make use of supernatural elements such as
ghostly figures or superstitions, rituals, and folktales that turn out to
be true. Choosing at least one of the works we've read--you may also use
others that we haven't read, of course--discuss the function of supernatural
elements in the work. Is it possible for a work to be considered realistic
if it has supernatural elements? If you discuss folktales and the like, be
sure to use a scholarly source to look up its origins.
- Look closely at one or more of the formal features of a work or works,
such as point of view, structure, contrasting characters, and so forth. Here
are some examples:
- How does the point of view from which the story or the
character of the narrator is told affect the meaning of the story?
Is the narrator reliable or unreliable? Can you compare the narrators
of several of the local color stories?
- How is the work structured? Does it have a frame story? Parallel episodes?
Contrasting characters? What effect do these have on the meaning of the
work?
- How is a feature such as setting used in the story? How does the author
use setting symbolically?
- The Damnation of Theron Ware is
in many ways a novel of ideas in which a naïve minister confronts
such turn-of-the-century movements as scientific rationalism, aestheticism,
the emancipation of women, anti-immigration and anti-Catholic sentiments,
and so on. Research one of these movements and write a paper showing
how Frederic uses its ideas in the novel.
- Choose a particular theme, symbol, idea, or pattern of imagery that
is significant in one or more works and analyze it. Some possibilities
would include the following:
- isolation (or the individual) and community or a clash of cultures
and the idea of progress
- the use of irony in selected
works
- the use of nature and the natural world as a symbol
- motifs of concealment, hidden identities, acting, or veiled motives
- the use
of humor (or satire) as social criticism.