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Olaudah Equiano composed the first-ever slave autobiography as a freed slave living in England. His autobiography, The Life of Gustavus Vassa (Gustavus Vassa was one of the names given to him by his owners), became a phenomenal best-seller in its time, both in England and America, and fueled a young but growing anti-slavery movement. Equiano narrates his life from boyhood onwards; he was born in a gold-coast African village, sold into slavery to another village, moved to yet another village as a slave, and finally captured and sold to European slavers. Chapter Two of his autobiography narrates his trials as a slave in Africa and concludes with his sea-passage to America, a particularly inhumane practice which killed perhaps 50% of the Africans that were captured by or sold to European slavers--your selection details the circumstances of his sea-voyage to America.
Equiano eventually ended up in the West Indies, a region characterized by particular savagery on the part of slave-owners; your selection from Chapter V chronicles the abuses he witnessed while a slave in the West Indies. While a slave, he adopts whole-heartedly capitalist mercantilism; his owner sends him up and down the coast of America moving goods. While employed in this activity, he becomes a small-time merchant himself and raises enough money to buy his freedom. On being manumitted, he returns to England where he composes his autobiography.
Equiano is influenced by several literary forms: the Protestant conversion narrative, anthropological treatises, the adventure novel (such as Robinson Crusoe), and Enlightenment discussions of inequality (such as Rousseau). Here's a curiosity: often he gets enraged about the injustices and quotes Milton, which we've read; however, he quotes speeches given by Satan and the rebellious angels. What do you make of this fact? How would you relate the literal presentation of the naked facts of slave life with William Henry Holcombe's defense of slavery in "The Alternative"? How does Equiano employ Enlightenment and Protestant ideas? Does the narrative sound more "African" or more "European"? Why?
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